An ever growing site of non-fiction,flotsam, fiction,memoir,autobiography,literature,history, ethnography, and book reviews about Appalachia, Appalachian Culture, and how to keep it alive!!! Also,how to pronounce the word: Ap-uh-latch-uh. Billy Ed Wheeler said that his mother always said,"Billy, if you don't quit, I'm going to throw this APPLE AT CHA" Those two ways are correct. All The Others Are Wrong.
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Showing posts with label short fiction. Show all posts
Showing posts with label short fiction. Show all posts
Sunday, September 20, 2026
"Tales From Suburban Widespot" by Roger D. Hicks Just Went On Sale On Amazon
My first collection of short stories has just gone on sale in all three formats, hardcover, paperback, and Kindle on Amazon. These are Appalachian short stories about half of which have previously been published somewhere in paper literary journals or online literary websites. My description of the book on Amazon is: "This book is a collection of Appalachian Short Stories set in and around the mythical community of Widespot which is located somewhere in Central and Southern Appalachia. The stories are purely fictional but based on the author's lifelong experiences in Appalachia. They are about life and common experiences which most native Appalachians have experienced: birth, death, baptism, near starvation, defamation, adulation, love, hate, marriage, divorce, separation, experimentation, and near extermination. There is humor, tears, grief, and a little humor about tears and grief. They are stories about life, the lives of fictional Appalachians and the deep rooted, multifaceted culture in which we live. They are about the common Appalachian Values which were written about by Loyal Jones, Albert Stewart, Robert "Bob" Snyder, P.J. Laska, Don West, and many other native Appalachian writers who have been both my mentors and friends. Now it is the turn of native Appalachan Roger D. Hicks to write about these beliefs and values. It is also your turn to read about and enjoy them!" https://www.amazon.com/s?k=tales+from+suburban+widespot+roger+hicks&crid=D9FJTAVKXQMH&sprefix=tales+from+suburban+widespot+roger+hicks%2Caps%2C128
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Thursday, October 30, 2025
"Fifty Best American Short Stories", Edited by Martha Foley
I love short stories, and I consider the short story to be the best form of all writing in literature. It has almost no room for error. Even the simplest little changes can either make a short story truly great or turn a potentially great short story into something very ordinary. I have read and studied the short story form ever since my high school days which were a mighty long time ago. I also write and have published about 20 short stories in at least 12 states in a variety of both college and university literary journals and some of the better online websites. I published my first short story in my twenties. But I don't pretend to be an expert on the short story, and I surely don't pretend to be a great short story writer. I do profess to be a good short story writer, and I believe the significant number of editors and/or editorial committees who have accepted and published my stories is some level of proof of their agreement with me about my self assessment.
The best way to become a good to great short story writer is to read stories by the authors whom other people who understand the short story believe to be the best in the world. Everyone has their own opinion of what a great short story is, and there is room for some disagreement since the idea of stating what is a good to great short story is very subjective. It should also be very objective and sometimes editors are more subjective than objective. I remember one story I submitted to a book project in Texas, as I recall, and I got a handwritten rejection from the editor who had rejected it which said something to the effect that "This story really doesn't fit our project goals, but it sure is an interesting story." Did that editor mean that "interesting" was a good thing or something less. Since he bothered to send me a handwritten rejection, I assume he liked the story. You never know in a case like that. But to get to the point of this blog post, I am actually supposed to be writing about the book of stories which I recently finished by reading one stor a day from the book with my wife. This particular book, "Fifty Best American Short Stories" Edited By Martha Foley, was published in 1986 and contains stories from 1915 to 1964. It contains short stories from several of my favorite authors although the stories the editor chose are sometimes not my favorite stories by a particular author. It also contains some stories from people whom I had never read who might not make anyone's top ten or top fifty list of short story authors which speaks to that subjectivity of which I spoke earlier. But it is overall a very good book of short stories and well worth reading. The authors in this collection whom I had already placed on my list of favorites includes Ernest Hemingway, John Steinbeck, Ray Bradbury, Flannery O'Connor, and Shirley Jackson. Interestingly, the editor did not include the story I consider to be each of those writers' best. She might have been bowing to copyright restrictions on what she considered their best but included another story from each of them in a bow to what she considers their overall greatness. Or maybe we just have differing opinions, hence subjectivity rears its head.
If you can find a copy of this old collection, buy it, read it, and make up your own mind while trying to be totally objective about the process.
Monday, July 7, 2025
"Introducing The Short Story" Edited by Henry I. Christ & Jerome Shostak
It has always been my belief that the short story is the ultimate form of written fiction. Yes, I love novels, plays, and poetry but the short story has the most elements to recommend it for long term literary pleasure. The short story can be read in a minimum amount of time since most are less than 5,000 or 6,000 words in total, although some can be as much as 20,000 words but that is a fairly rare event. But my ultimate reason for loving the short story is that it is a very unforgiving form of literature to write. In 5,000 words or even less, there is little room for error. A literary mistake on the writer's part in a short story represents a far greater percentage of the entire story than such a mistake in an 80,000 or 100,000 word novel. What might be a forgiveable error in a medium to long novel can completely alter the short story of a reasonable length. What does a writer have to provide in a short story? The key elements in a short story are Plot, Characters, Character Development, Confict, and Conflict Resolution. Many respected authorities on short stories disagree as to the minimum key elements of a short story. But most of those authorities list at list five elements and some as many as nine or ten. The elongated list then grows to contain Plot, Character, Conflict, Conflict Resolution, Setting, Theme, Point Of View, Character Development, Tone, and Style. Some authorities might disagree about one or more on that elongated list, but they would generally agree that a good to above average short story must contain most of those elements. The editors of the book in question, "Introducing The Short Story", list Plot, Character, Setting, and Theme. I chose to buy and read this book more because of the twenty-eight short stories it contains as examples of the seven qualities of short stories which they editors list. The seven sections they chose to list are Plot, The Magic Of Imagination, The Surprise Ending, All In Fun, Short Shorts, Fellow Creatures, and World Of People. For each of those seven sections, the editors included 4 short stories as examples of the qualities in stories. The book is presumbly intended as a high school level text in a class on the short story, and that class would most likely be considered an Advanced Placement course in most high schools. I bought it simply to read the twenty-eight examples and not for the introductory and closing material attached to each section.
When I scanned the book's list of stories, I found only five stories which I had read before and I have been reading short stories for something in excess of 65 years. I found almost a dozen authors listed among the stories whose names and work I knew above and beyond the actual five stories I had previously read. But in the stories I had not read, I found I liked nearly all of the editors' choices and came to love two or three of those previously never encounered stories. In "The Most Dangerous Game" by Richard Connell, I found one of my favorie stories of all time. I had first read and loved it in my freshman year of high school, and I have been recommending it ever since. It is one of the best action and suspense stories ever written anyone. "The Secret Life Of Walter Mitty' by James Thurber is also one of my personal favorites which also crops up in my life from time to time. "Lonesome Boy, Silve Trumpet" by Arna Bontemps is a wonderfully written story about a little African American boy in New Orleans who loves music, learns to play the trumpet against his mother's adivce, and finds himself the featured musician at a most unusual party. Two of the stories in the "Surprise Ending" section of the book are fine examples of the work of Guy de Maupassant and Ambrose Bierce. No one can say they fully comoprehend the lenght breadth and depth of the short story who has never read anything by either of those two masters. Maupassant was a French master of the short story who wrote several hundred during is lifetime along with a few novels which are less remembered and lauded than his short stories. Ambrose Bierce's "A Horseman In The Sky" is a masterpiece only slightly less well known that his "An Occurence At Owl Creek Bridge" which was turned into one of the best loved of all "The Twilight Zone". And Bierce's own demise in the Mexican Revolution which he was covering as a journalist is a story in itself. He simply disappeared and to this day no one knows where or exactly when he died.
If you are a high school or even college level English, and especially Short Story teacher, this book can be a valuable resource for you in the classroom. But if you are simply a reader of the short story, and find a copy of this book lying in a junk store for a dollar or two, it is well worth the money to buy and simply read the stories and totally ignore the supporting writing from the editors. But even better, if you are a lover of the short story who wants to know more about how that form of fiction works internally, this is a great place to start learning.
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