Lately for a variety of reasons, I have been reading a lot of books about Appalachian Folk Art which is one of my favorite types of art and, in my opinion, some of the best art in America. Elinor Horwitz was a very prolific writer who published about a dozen books including at least three on Appalachian Folk Art and/or Appalachian Crafts. This particular book was published in 1974 and I actually learned about Horwitz and her work while reading a classic book on Appalachian Folk Art, "The Temptation: Edgar Tolson and The Genesis of Twentieth Century Folk Art" by Julia Ardery, a Kentucky writer. I will write about that book in a day or two. This particular book has one chapter on woodcarving and that chapter focuses heavily on Edgar Tolson and his work wiht several excellent photographs of Tolson and his work. I never knew Edgar Tolson but have heard numerous stories about him and his work from his son Donny Tolson who is also now dead. Interestingly, the photographs in this book, or at least most of them, were taken by Horwitz's two teenage sons who had traveled with her to visit various folk artists and crafters all over the region of Central and Southern Appalachian. One of her sons also took most of the photographs for another of her books which I will also write about in the upcoming days. This book is directed toward a general audience and makes no attempt to go into great detail about many aspects of Appalachian Fok Art and crafts. But Horwitz and her sons did visit most of the subjects of the book and I am also led to believe that she was a major collector of Appalachian arts and crafts. Some of the photographs are stunning and as good as one could expect to see from truly professional photographers. I haven't yet done enough research to learn if either of her sons pursued photography as a career, but I would not be surprised if they did. She broke the book down into three major chapters plus a short epilogue entitled "Today And Tomorrow" which reflects on the potential future of Appalachian Folk Art. It is a shame that the book was published with all the photographs in black and white. Many of the subjects of those photographs such as quilts, paintings, and other works would have been much more attractive and informative if they had been shot and published in full color. For several types of the work featured in the book, Horwitz discusses at length the process the creators used to produce the work, and her sons provided excellent photographs of several phases of the creative process when they were able to do so with the cooperation of the artists. It is also a good review of quite a few Appalachian Folk Artists and crafters who are now dead. But the book is well worth reading if you can find a copy since it is now more than fifty years old. I found my copy on a used book website and it is actually a former library book which I often avoid buying. But it was apparently not the most read book in that particular library and is in good shape. If you are interested in Folk Art or crafting, the book is worth digging up a copy.
