|James Still Photo by University Of KY|
The book contained several stories I had not read and several of those are well above average. The first and best surprise I received from the book was a story called "Sweet Asylum" which is set in James Still's native Alabama. This story is about an Alabama cotton plantation owner who is deep in debt, widowed, and seeking a way to resolve his debts and save his family plantation. It is a masterpiece which instantly reminded me of the work of Kate Chopin. In terms of technique, it is highly reminiscent of her classic "The Story Of An Hour". It is not quite as masterful a work but uses the same type of double twist ending to slam doors in the faces of both the protagonist and the reader. It may well be the best short story James Still ever wrote. James Still has so thoroughly been identified as a master author of Southern Appalachia that many of his readers either forgot or never knew that he was born and grew up in Chambers County Alabama, an area that is very different culturally and physically from Knott County Kentucky and Central Appalachia. I should state for the record that I have traveled extensively in Alabama in general and Chambers County in particular and know that area quite well. James Still did, however, spend the great majority of his life in Knott County and Appalachia and will forever be seen as an Appalachian author. He went to Lincoln Memorial University in 1925 and graduated there in 1929 as a member of that incredible threesome of Appalachian writers: Still, Don West, and Jesse Stuart. LMU is located in Harrogate, TN, in Claiborne County, which is just as much the heart of Appalachia as Knott County. Hindman, KY, and Harrogate, TN, are only 100 miles apart. During his time at LMU and later throughout his life, Still was a classmate and friend of both Jesse Stuart and Don West. During that time frame, John Crowe Ransom and the Agrarians and Fugitives were key components of the literary world at LMU. Collectively, Still, West, and Stuart of the LMU Class of 1929 are arguably the best single graduating class of regional writers to ever graduate from any university in the same academic year. That is a particular feather in the hat of LMU since it is a decidedly small university with only 1,675 undergraduate students as of this writing. Still then completed a Master of Arts Degree in English at Vanderbilt University in Nashville. After completing his work at Vanderbilt he was employed by the Hindman Settlement School and remained in Knott County for the rest of his life.
The second observation I made as I read "The Hills Remember..." was that in many of Still's short stories there is a level of violence which could almost be called gratuitous. Several of his stories, including one which I consider among his best, culminate in or originate from murder. The second story in the book and the title piece "The Hills Remember" is a fine piece of work but also inordinately violent. The main character, Old Aus Hanley "...had a graveyard all his own across Stormspur filled with men he had killed." As the story begins, Aus Hanley is lying in a pool of his own blood after being ambushed by a drunk man, shot in the back by someone whom no one in the area would have believed capable of murder and especially not capable of the murder of Aus Hanley. A crowd gathers to watch Aus Hanley die. The sheriff arrests the drunken perpetrator and stands near the victim also waiting to see him die. The crowd all believe that one of Aus Hanley's family members who are too far away to attend the death will eventually seek revenge against the shooter. But Aus Hanley calls the sheriff from his death throes to bring the shooter to him so he can learn who killed him. The story concludes with Hanley pulling his murderer close to him and "...his right arm lunged in a single driving stroke toward Luke's breast...The handle of a Barlow knife protruded from his breast." With his final dying act, the murdered man has also murdered his killer. It is a wonderful story but the level of violence portrayed is well beyond that found in most short American fiction.
Speaking as a native of Knott County which is generally assumed to be the setting of most of Still's work, I must say that it is not a level of violence I found common in the time I was growing up there. I was born in Knott County roughly 20 years after James Still moved to the county. I grew up in a country store in the Beaver Creek area of the county. My father was born in 1887 on Bruce at Mousie and lived most of his early life in Mousie, not far from Hindman where Still lived. My mother had been born and reared on Rock Fork Creek in still another area of the county. I was exposed to people from all over Knott County and the surrounding area. Although I knew several people during my childhood who either had already or later committed murder, the area was never as violent as Still portrayed it in many of his stories. A second story which is incredibly violent is called "The Scrape". In that story, two men induce the protagonist to tie their arms together with a wire, take charge of their guns, and observe as they fight with knives to a mutual death. "Jiddy produced a wire...He ordered me to tie an end around his left wrist, and the other about Cletis's. A thing they had agreed on. I did what I was bid do..." The story ends with both men dead in the dirt road and the narrator heading off toward his original destination with the comment "I thought about Posey Houndshell. Nobody stood between me and her."
I must admit that I have not read the two books which might help me to further understand the violence in Still's fiction. They are: "James Still In Interviews, Oral Histories, and Memoirs" by James Still and the aforementioned Ted Olson; and, "James Still: Critical Essays On The Dean Of Appalachian Literature" edited by Ted Olson and Kathy H. Olson. What I would really love to see is a book length work solely addressing that issue of violence in Still's work.
Still is also frequently referred to as one of the better, if not the best, writers in Appalachian dialect. I do not dispute that he is a fine writer in Appalachian dialect. But I will always believe that Mildred Haun is a far superior writer of Appalachian dialect. Her classic work "The Hawk's Done Gone" is far and away the best dialect writing ever done in Appalachian Literature. As I said earlier, I spent the first twenty years of my life in Knott County Kentucky, was educated there through high school and began my college education at Alice Lloyd College. I was also reared by my parents, maternal grandparents, and an extended family of aunts and uncles who all grew up in Knott County early in, and in some cases before the turn of the twentieth century. I know Knott County Appalachian dialect as well as any human on earth and I must insist that there are times when I see that James Still wrote linguistic expressions which I never heard from my parents, grandparents, aunts, uncles, farmers at the livestock sales or jockey grounds, or the elderly customers at my parents' country store. The one word which he used frequently, especially in "River Of Earth" and his short stories and which I never once heard in Knott County is "chaps" in reference to small children. In my childhood, small children were "young'uns", "chillun", "yard apes", "curtain climbers", and several more conventional, less colloquial terms. But they were never "chaps". I suspect that is an expression from Still's youth in Alabama. Getting back to the comparison between Still and Haun, I will defend Still to the degree that the two of them were writing dialect based on two different subregions of Central Appalachia. I have also traveled extensively in the Cocke County, TN, area where Haun spent her life and did extensive research among Appalachian serpent handlers there. The two subdialects have significant differences. But Haun's consistency and accuracy in writing dialect is superior to James Still's. It is also worth noting that it is only 63 miles from Harrogate, TN, where Still attended college to Newport, TN, where Haun lived her life. I do not know that Still ever spent time in Newport but since he and Haun both attended Vanderbilt University it is possible that he did know her and might have even visited the area which would have also exposed him to the dialect which she wrote so admirably. It is also possible that Still's travels from Chambers County Alabama to Claiborne County Tennessee to Davidson County Tennessee to Knott County Kentucky could have provided a plethora to opportunity for Still to blend the dialects of the four to a degree that not even he recognized.
Do not allow anything I have said in this post to leave you with the impression that I do not respect and value the writing of James Still in all genres in which he wrote. He is definitely at the vanguard of writers about Appalachia. His short fiction can stand up well in comparison to nearly any other writer in American Literature. The book "The Hills Remember..." is a compulsory read if you intend to believe or say that you understand the literature of Appalachia. Buy a copy and read it sometime soon. You will enjoy it greatly.