"The Temptation: Edgar Tolson And The Genesis Of Twentieth Century Folk Art" by Julia S. Ardery

Rarely, if ever, have I seen a book which is so meticulously researched, documented, and written. This book by Julia S. Ardery is a masterpiece and one of the most important books in the field of Appalachian Folk Art. The only potential negative in the book is the fact that it is so well written that it can become a bit pedantic at times. But if one chooses to read books written by a potential pedant, this is the book to read. It is based on the well justified premise that Campton, Kentucky, folk artist Edgar Tolson was largely responsible for the popularity of Appalachian Folk Art and, in some ways, the increased popularity of American Folk Art in general. It is also fascinating that the book was published by the University of North Carolina Press in 1998 more than 22 years after the death of the author. That fact is a clear indicator that it must have been preserved in manuscript form by her son Major General Phillip P. Ardery who was her sole surviving child at the time the book was published. Julia Ardery was also the editor of another book, "Welcome The Traveler Home" which is the memoir of Jim Garland, a career union organizer. That book was also published after the death of Julia Ardery by the University of Kentucky Press. Edgar Tolson was an enigmatic, garrulous, and sometimes abrasive man whose eventual fame might not have been foreseen in a person who fluctuated between periods of preaching and excessive drinking. He is even credited with once having blown up the little church he preached in with dynamite. But he gained many supporters, promoters, and fans as he moved from a life of itinerant labor to become the premier wood carver in America in his lifetime. He was obviously well respected by Ardery who spent a vast amount of time and resources to compile this book which is sourced with numerous interviews by the author with more than 60 people other than her primary subject. She also did an excellent piece of work in detailing the lengthy relationship between Edgar Tolson and Scuptor and educator Michael D. Hall who promoted Edgar Tolson's work tirelessly, collected large numbers of his carvings, and eventually was able to sell his entire folk art collection to the Milwaukee Art Museum which has an entire wall in one room which is dedicated to Edgar Tolson's carvings of the biblical story of Adam, Eve, and their sons, Cain and Able. Ardery goes to extensive and well justified lengths to discuss how Edgar Tolson's growing popularity in the world of "real art" enabled many other folk artists, both Appalachian and American, to sell their works, gain credibility in the art world, and in some cases to actually make a living from what had previously been known more often as "whittling", "fooling around", or "wasting time". This is a truly beautiful piece of work with numerous photograpns of Edgar Tolson, his art works, his family, and others. The research for this book is some of the best I have ever seen on any topic. If you are a person who enjoys reading a well written, extensivley researched, and flawlessly documented work, this is the book for you whether or not you are already an admirer of good folk art. It is actually capable of inducing you to become another of the aforementioned admirers and collectors of folk art. The book is widely available on most used book websites and well worth reading.