When this epic novel was published in 1982, the author Helen Hooven Santmeyer was 87 years old and living in an assisted living facility in her southern Ohio hometown. The book made Santmeyer an overnight success at a time when most of her childhood friends were long dead. It covers life in a small,fictional Ohio town from 1868 to 1932. The book rocketed to the top of the New York Times bestseller list and made Santmeyer famous long after her previously published four books had amounted to almost nothing in sales or public acclaim. One other book was published posthumously and one biography has been written, "Early Promise, Late Reward" by Joyce Crosby Quay.
I initially bought but never finished a copy of the book in the 1980's after it made the best seller lists. At the time, I read a few chapters and thought "this is a well-written book but it is just a women's book" which is nowhere near the truth. I finally read it this time, nearly forty years after it was published, following a conversation with my wife and we read it together. The book is a sweeping story about the fictional town of Waynesboro, Ohio, and begins shortly after the Civil War. It follows the lives of the town and its people until the Great Depression. It is filled with the members of nearly a dozen families who figure prominently in the life of the town and the characters are woven around and into the life of the Waynesboro Womens Club which is formed in the first chapter and continues for the life of the entire novel. The families live in close proximity in a small Midwestern town and intermingle, intermarry, live, reproduce, die, and generally accomplish admirable lives. Only one or two characters ever fail to amount to something useful and nearly all of them are striving to become somebody the world would be proud to know. This is truly an epic novel in every sense of the word and is just as important in the overall story of American Literature as "The Grapes Of Wrath", "East Of Eden", or Frank Norris' Wheat Trilogy of "The Octopus", "The Pit", and "The Wolf". At the last possible moment, Santmeyer managed to take a well deserved place in that group of American novelists including Frank Norris, Ernest Hemingway, and Pearl S. Buck who have produced great epic novels by grinding on day after day, week after week, year after year in the pursuit of an epic.
Helen Hooven Santmeyer Photo by G.P. Putnam Publishers |
When we ask ourselves "what is an epic novel", we sometimes come up with wide ranging and contradictory opinions of exactly what the term means. After a diligent search on the Internet, I still wonder exactly what the term means. One definition I found and like says that "an epic novel [is] one that is epic in scope and theme -- a text that covers a vast expanse of space and time in its quest to uncover answers to the deepest questions of human existence". In fact, most definitions of epic seem to revolve more around poetry than novels. It actually appears that even literary people cannot pin down a precise definition of an epic novel. In my mind, an epic novel must cover a large span of time, let's say at least fifty years, and be centered around the lives of a fairly sizeable group of characters who go about the daily business of living. Santmeyer's novel definitely fits that definition.
The primary characters are the members of the Waynesboro Women's Club, their husbands, children, grandchildren, and even a few great-grandchildren. The two most important families in the novel are the Gordon's, with Anne Gordon as the matriarch, and the Rausch's with Sarah "Sally" Rausch as the matriarch. By the end of the novel, nearly every major character has lived and died. Some of the deaths, including one suicide of a minor character, are notable. Some are ordinary and as simple of falling dead over an unlit kerosene heater due to a heart attack. The Rausch patriarch, Ludwig, is a German immigrant and Civil War veteran. His best friend, John Gordon, is the patriarch of the Gordon family. If there is a major hero in the story, it is Ludwig Rausch although other characters live somewhat heroic lives, both male and female. The story flows naturally through marriages, unrequited love affairs, adultery, childbirth, epidemics, floods, and fires. There is rarely a dull moment and the novel is well worth the number of hours the average reader will need to commit to completing it.
I tend to believe that many, if not all, of the female characters are partial presentations of Santmeyer herself who never married and worked most of her life as a librarian in a small private college. Some of these women marry and produce long lines of progeny which Santmeyer never did. But each of them tends to show some aspect of the life of a well-read, intelligent, self-assured, working woman which Santmeyer was to the very end of her long and productive life. There is a young female writer working to produce good books. There are more than a few female librarians and one or two spinsters. The males are generally well respected and the only real villain is a woman. At times, the novel does use some archaic terms to depict African Americans and yet one of the few women who survives the entire epic is a black housekeeper who has been totally devoted to her employing family all her life. Ludwig Rausch is also quite loyal to his black employees just as he is to his white workers.
This novel is well worth reading and has even led me to believe that, if I ever find the time, I would like to read more of Santmeyer's books.
1 comment:
I have just finished “... And Ladies of the Club.” For the first few hundred pages, it was a task. I felt the writer spent too much time discussing clothing, furniture and house architecture. Then it picked up when Santmyer focused more on people than things—all the stuff about cordage is a bit overdone. I wasn’t much involved in the story until Anne reads the note in John’s overcoat.
I note that we never really learn about John Gordon’s relationship with his cousin Jessamine. We know what Anne thinks and suspects, but we never get John’s thoughts on the subject. It could be that he isn’t Rodney’s father. But in the long run, it is what Anne suspects.
The best writing in the book occurs when Santmeyer covers the deaths of various characters. Her deathbed scenes aren’t maudlin yet they convey the right amount of sympathy and pathos.
A quibble: I have the second Putnam hardcover edition. The last 400 pages or so are poorly proofed. It seems every other page has a spelling or syntax error. Did the proofreader get bored?
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