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Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

Saturday, July 6, 2024

"So Much To Be Angry About, Appalachian Movement Press and Radical DIY Publishing, 1969-1979" by Shaun Slifer--Comments On A Book


This book was published by West Virginia University Press in 2021, and I read it shortly after it was released since I had known the primary subject of the book, Tom Woodruff, who built and ran Appalachian Movement Press for its entire effective life before he left the publishing industry to become a union organizer for Local 1199 and to eventually rise to be its national leader.  About a week ago, I had posted a blog post about John Hennen's excellent book, "A Union For Appalachian Healthcare Workers, The Radical Roots and Hard Fights of Local 1199". That review of Hennen's book is available at the link above.Tom Woodruff, the primary subject of this book founded Appalachian Movement Press in 1969 and ran it in Huntington, West Virginia, where he had attended Marshall University.  During several years of the life of the press, Tom was also an adjunct professor at The Southern Appalachian Circuit of Antioch College, a branch campus of Antioch College in Yellow Springs, Ohio, which had been founded by Robert "Bob" Snyder. The Southern Appalachian Circuit of Antoch College was initially founded in Huntington, West Virginia, and after a short time, was moved to Beckley, West Virginia, for the remainder of its existence.  The press published a large number of excellent, small publications with political leanings to the political left by authors including Don West, Bob Snyder, P. J. Laska, Rod Harless, and Woodruff himself. Don West eventually bought the printing equipment of the press from Tom Woodruff and transported it to the Appalachian South Folklife Center in Pipestem, West Virginia, where he managed to use the equipment to produce a few pamphlets primarily of his own political oriented writings.  But the equipment was stored in the watery basement of a chapel at the Folklife Center and fell into disrepair due to the fact that West could not operate it himself and had no full time printer who knew the intricacies of operating and maintaining such equipment which Woodruff had actually bought used, and we might say "well used".  

 

In 2016, Shaun Slifer and  his wife paid a visit to the Folklife Center during which he discovered the press and a large amount of publications both from the time when Woodruff had operated it in Huntington and those few items which Don West has managed to publish after he bought the equipment.  Slifer salvaged as much of the publications as he could and wrote this book about the press and Woodruff.  He also implied in the book that there were other such Do It Yourself, radical leaning presses in the Appalachian Region at the time.  But the book contains little or no actual information about any of those other presses. It is fortunate that Slifer managed to stray into the press and publications, salvage as much as he could, and took the initiative to write the book.  It is, however, unfortunate that he did inadequate research and writing about the other implied presses of a similar nature.  That work remains for some other interested researcher and writer, if one ever appears on the scene.  I knew both Tom Woodruff and Don West, spent a period of time as a student at The Southern Appalachian Circuit of Antioch College, and lived for about a year at the Folklife Center. That entire series of experiences was one of the formative influences in my adult life as a writer and political activist.  I am grateful that as much was salvaged as has been of the publications.  They are a genuinely important piece of the history of the leftward leaning political actions which were taking place in West Virginia and Appalachia at that time.  There are some excellent photographs of some of the publications in the book which can serve as clues for any future researchers and writers who may take on the task of completing the job which Slifer began. I am proud to say that I own a few of the publications from that period. This book was a beginning but nowhere near the work which deserves to be produced about the Appalachian Movement Press, the Appalachian South Folklife Center during the time Don West was operating it himself, and of the Southern Appalachian Circuit of Antioch College at which Bob Snyder assembled one of the finest collections of Appalachian educators, political activists, and writers which has ever been in one location in the region for any significant period of time. That assemblage of people included both the faculty and several of the students who have gone on to produce effective works about, for, and in defense of Appalachia. All three organizations deserve to have their history(ies) fully and adequately told and preserved for the future in a single work which would address the interconnections and influences which existed between them.  Slifer's book did not even begin to scratch the surface of that collective history and the interconnections of the triumvirate.  Due to the fact that both West and Woodruff taught at the Southern Appalachian Circuit of Antioch College and several students at Antioch worked with either Woodruff or West and, in some cases, lived at the Folklife Center, this complete story needs to be adequately addressed by another better researcher and writer.  But Slifer's book is worth reading for the student of Appalachia and Appalachian History.  The image below is of a literary journal which was produced by the students and faculty of The Southern Appalachian Circuit of Antioch College and produced at Appalachian Movement Press. 



Wednesday, June 13, 2018

Reading Ace Doubles--A Blast From The Past




Sometimes when my normal load of reading of a political nature combined with a cross section of Appalachian Literature becomes too depressing, in the case of the political literature in light of the current tragic condition of American politics and the ongoing crime spree by TRAITOR & International Terrorist Trump, or just too much of a good thing in the case of Appalachian Literature, I will take a clearly demarcated break in my reading material and pick something up which is either completely outside my normal bailiwick or rather light and meaningless.  Recently, I took such a break with an Ace Double edition of two science fiction novellas by Jack Vance called "The Houses Of Iszm" and "Son Of The Tree".  



When I was young from about ten or twelve until about the time I graduated from high school, I read a lot of Ace Double books in both science fiction and western formats.  Ace Doubles, for those of you who have never encountered them, were a paperback imprint of Charter Communications which ran from about 1952 to 1978 and published books, usually novellas by a single author in tete-beche format, that is inverted and back to back, and in western, science fiction, mystery, and some general fiction.  The one I found in my collection and read had been published in 1964 and sold for .95cents.  For a young boy in Eastern Kentucky in those days, a dollar could sometimes seem as big as a wagon wheel and being able to get two stories for a single buck was a great thing.  As I was developing a more mature and personalized reading taste and style, I wove my way through several genres including the aforementioned science fiction and westerns, horse stories, dog stories, and some of the less strenuous classics.  I have since noticed that most of the work published under the Ace Double imprint had a tendency to not be top of the mark literature.  Jack Vance who wrote the two novellas I just read was both prolific and successful in the genres of mystery, fantasy, and science fiction winning numerous major awards including two Hugo's, a Nebula, a Jupiter Award, two World Fantasy Awards, and an Edgar.  

To say the least, Jack Vance could write just as could most of the other authors whose work appeared under the Ace Doubles imprint.  Isaac Asimov, Poul Anderson, and Andre Norton all published work under the imprint and each of them is arguably among the best science fiction authors of all time as is Jack Vance.  John Farr (aka Jack Webb) published under their mystery label.  Louis L'Amour, Nelson Nye, and Brad Ward all published westerns under the Ace Doubles imprint.  Their overall stable of authors across all the genres was talented.  But it also appears that many of them were simply chasing a buck in a tough world where every publication might lead to another and many authors accepted the imprint who might not have if they had been at the top of the public approval charts at the time they signed their contracts.  

Ace Doubles served a legitimate purpose in that period when money was less than free flowing for many Americans and they do have a place in the history of American publishing and literature, especially in the genres of western, mystery, science fiction, and fantasy.  I will always remember them fondly and doubtless I will pick others up in the future at some time when I need a break or simply run into them at yard sales, auctions, used book stores, or Little Free Libraries.  So should you, especially if you have never had the pleasure of reading one before. 

Tuesday, May 29, 2018

Skyrider Publishing--Caveat Emptor

Recently, I needed a copy of the Pearl S. Buck novel, "Sons", and after a quick scan of available copies on Amazon I ordered a copy through Amazon which it turned out was printed, not published, by a somewhat shadowy organization called "Skyrider Publishing".  The book was labeled as "New" and when it arrived it appeared to be new based on a superficial examination.  The cover was plain with only a nondescript, remotely oriental looking symbol on the front cover between the title on the top and name of the author on the bottom.  But as I began to read it a week or two later, I realized that it had no publisher's page, prefatory material, copyright, or afterword of any kind.  The only way to know its origin is to the last page in the book, opposite the snow white, inside, rear cover where you find a bar code or UPC and the statement "Made In The USA Lexington, KY 31 March 2018".  The inside front cover is also snow white and opposite a title page which simply says in black letters "Sons By Pearl S. Buck".  When you turn the title page, the text begins immediately and proceeds throughout the book with no white space at the end of a chapter.  The next chapter is simply numbered in Roman numerals and begins with a paragraph break after the preceding chapter.  The text is rife with spelling and grammatical errors which I know  from reading other works by Pearl S. Buck would not be in an original copy from the legitimate publishers.  By the time I had discovered these serious flaws in the book, I had already had it for several days after I had received it.  Incidentally, I had ordered it on March 26, 2018, five days before the date listed on that back page. 

I did a Google Search that day for Skyrider Publishing and again today, May 29, 2018, as I am writing this blog post.  I can find almost nothing about Skyrider Publishing on the Internet where you can always find a plethora of information about even the most obscure of subjects.  There is a Facebook page for Skyrider Publishing which has almost no information on it and a blog which is loaded with old novels and other books which all appear to have been out of copyright when they were put on the blog.  This is only a guess but it appears that Skyrider Publishing is an arm of Amazon and used to rapidly reproduce out of copyright books, sell them as new, and turn a quick profit on legally and morally shaky work produced in a shoddy manner.  

I will never again knowingly purchase another book created by Skyrider Publishing and will strongly and eternally urge anyone I can influence to do the same. If I ever unknowingly purchase such a book, I will immediately return it to the seller and demand a refund. Caveat Emptor!  Let the buyer beware!  Always keep your eyes open when you are buying books and never knowingly or unknowingly support any organization which is reproducing formerly copyrighted work for a fast buck.